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So, Vero Cezary Bodzianowski edited by Pierre Bal-Blanc. Show all photos
So, Vero Cezary Bodzianowski edited by Pierre Bal-Blanc. Show all photos
So, Vero Cezary Bodzianowski edited by Pierre Bal-Blanc. Show all photos
So, Vero Cezary Bodzianowski edited by Pierre Bal-Blanc. Show all photos
So, Vero Cezary Bodzianowski edited by Pierre Bal-Blanc. Show all photos
So, Vero Cezary Bodzianowski edited by Pierre Bal-Blanc. Show all photos
So, Vero Cezary Bodzianowski edited by Pierre Bal-Blanc. Show all photos
So, Vero Cezary Bodzianowski edited by Pierre Bal-Blanc. Show all photos
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So, Vero Cezary Bodzianowski edited by Pierre Bal-Blanc.

From 11 May to 27 July 2024

Morra Greco Foundation

Morra Greco Foundation

Largo Proprio d'Avellino, 17, Naples

Closed today: open Friday at 10:00

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The Morra Greco Foundation is pleased to announce the new solo exhibition of the Polish artist Cezary Bodzianowski, Allora Vero, curated by Pierre Bal-Blanc. The exhibition will be hosted from May 11 to July 27, 2024, and will involve all the floors of Palazzo Caracciolo in Avellino, the headquarters of the Foundation in the heart of the historic center of Naples. The exhibition is an exploration of the audiovisual works of the visionary Polish artist, in his second exhibition at the Foundation after Casio Pay between 2010 and 2011. Between existing works and new productions conceived for this project, the works on display lead the audience through a strange and provocative experience, following the artist's parabases and lazzi, his deviations from reality. The title of the artist's solo exhibition, "Allora Vero Cezary Bodzianowski curated by Pierre Bal-Blanc", can be interpreted not only as a simple line of titles and credits, but also as a sentence that seems incomplete, requiring an exclamation or a question mark to be grammatically correct. The exhibition aims to highlight this duality in the perception of reality from the title itself. The invisible gap, frozen time, or suspension of places are the preferred characteristics of the artist's works. The invitation to the public is to physically embody along the path of the rooms of Palazzo Caracciolo in Avellino the experience provoked by Cezary Bodzianowski's works, to follow the spectacle of these parabases or deviations from reality. This kinetic movement carried out by the visitor synchronizes or is asynchronous with the skillful editing of video footage of Cezary Bodzianowski's gestures documented by his partner Monika Chojnicka, who is also the first witness to the pranks the artist performs in everyday life, here in Naples or elsewhere. "Parabasis" and "lazzi": it is indeed a particular vocabulary that must be referred to on the occasion of this Neapolitan exhibition by Cezary Bodzianowski, a terminology that associates the artist's practice with that of Pulcinella (a Neapolitan anti-hero present in the frescoes of the princess Caracciolo's toilet cabinet) rather than that of a "dada" - a term historically become more common to describe any deviation from conventions. Cezary Bodzianowski's exhibition shows a deeper genealogy, one that connects us through his works to satyrs, sileni, and Pulcinella. Find out more on the Foundation's website at the following link: https://www.fondazionemorragreco.com/allora-vero/
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