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MUNDA - National Museum of Abruzzo verified

L'Aquila, Abruzzo, Italy open Visit museumarrow_right_alt

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Our Lady of Ambrose
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Enthroned Madonna with Child
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Enthroned Madonna with Child
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Madonna of Fossa
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Leonardo di Sabino da Teramo, detto il Maestro del Trittico di Beffi - Enthroned Madonna with Child and scenes from the life of Jesus and the Virgin (Triptych of Beffi)
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St. Francis receives the stigmata
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Francesco da Montereale - Madonna and Child with Saints
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Saturnino Gatti - Enthroned Madonna with Child and Angels
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Pompeo Cesura - Christ at the column
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Mattia Preti - Martyrdom of St. Bartholomew (detail)
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Jusepe de Ribera - The Magdalene in meditation on the skull
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Andrea Vaccaro - Sant'Agata in prison
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Carl Borromäus Andreas Ruther - Hare
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Relief with funeral procession
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Relief with gladiator ludi
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amiternino calendar
Our Lady of Ambrose
Enthroned Madonna with Child
Enthroned Madonna with Child
Madonna of Fossa
Leonardo di Sabino da Teramo, detto il Maestro del Trittico di Beffi - Enthroned Madonna with Child and scenes from the life of Jesus and the Virgin (Triptych of Beffi)
St. Francis receives the stigmata
Francesco da Montereale - Madonna and Child with Saints
Saturnino Gatti - Enthroned Madonna with Child and Angels
Pompeo Cesura - Christ at the column
Mattia Preti - Martyrdom of St. Bartholomew (detail)
Jusepe de Ribera - The Magdalene in meditation on the skull
Andrea Vaccaro - Sant'Agata in prison
Carl Borromäus Andreas Ruther - Hare
Relief with funeral procession
Relief with gladiator ludi
amiternino calendar

Other works on display

Description

The table depicts the Madonna, crowned by two little angels, with the Child in her arms; on the lower left the San Giovannino. All around the saints Agostino, Lucia, Francesco, Giovanni Evangelista and at the two ends Santa Caterina da Siena and Santa Caterina d'Alessandria. Attributed to Francesco da Montereale da Chini (1915), the attribution was confirmed by Gabrielli (1934) and then by Moretti (1968). It is a work of the artist's youthful period that can be placed between the end of the fifteenth century and the early years of the sixteenth century. Alongside the influences of Umbrian painting and in particular Pinturicchiesque one can see Crivellesque derivations as in the still life in the foreground.

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