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Pinacoteca il Divisionismo verified

Tortona, Piedmont, Italy closed Visit museumarrow_right_alt

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Medardo Rosso - Concierge (Concierge)
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Gino Severini - Self-portrait
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Luigi Russolo - Self-portrait
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Giuseppe Pelizza da Volpedo - Vallon to Volpedo
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Umberto Boccioni - January in Padua
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Vittore Grubicy de Dragon - In Fiumelatte from the railway underpass
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Sexto Canegallo - Vibrant
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Pietro Mengarini - The blue vase
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Cornelio Geranzani - The candle
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Domenico Guerello - The long wait
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Luigi Conconi - Medieval motif
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Emilio Longoni - Drawings for a fresco. Mary Magdalene at the foot of the cross
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Giuseppe Pelizza da Volpedo - The woman of the emigrant
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Giuseppe Pelizza da Volpedo - Idyll. The tree of Life
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Giuseppe Pelizza da Volpedo - Portrait of Giovanni Cantù
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Giuseppe Pelizza da Volpedo - Study of figures for spring idyll
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Giuseppe Pelizza da Volpedo - May morning
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Giuseppe Pelizza da Volpedo - The bridge
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Giuseppe Pelizza da Volpedo - Portrait of peasants (Portrait of Signora Battegazzore)
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Giuseppe Pelizza da Volpedo - Portrait of a peasant owner
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Flavio Bertelli - Will be
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Giovanni Sottocornola - The exit of the workers from the Pirelli factory
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Giovanni Battista Crema - Night work at Termini Station
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Plinio Nomellini - Piazza Caricamento in Genoa
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Emilio Longoni - Reflections of a hungry. Study
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Plinio Nomellini - Strike
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Emilio Longoni - Ona city street
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Giuseppe Mentessi - Tears
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Attilio Pusterla - Painful reflections
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Attilio Pusterla - To the Italian economic kitchens
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Angelo Morbelli - I remember when I was a girl
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Angelo Morbelli - The search for light. Study for central triptych image
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Baldassare Longoni - Caryatids
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Giovanni Segantini - Harvesting hay
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Carlo Fornara - The sower
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Plinio Nomellini - Morning in the workshop
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Gino Romiti - Going to the factory
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Emilio Longoni - Solitude
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Angelo Barabino - The sun
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Giovanni Segantini - Hail Mary in transit
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Angelo Barabino - Robbery
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Angelo Morbelli - Believers
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Giovanni Battista Ciolina - Return from the alp
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Angelo Torchi - Maize on the farmyard
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Plinio Nomellini - On the Ligurian coast (Sulla costa ligure)
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Angelo Morbelli - Curious old women
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Giorgio Kienerk - San Martino d'Albaro
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Giovanni Segantini - Maternal love
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Plinio Nomellini - April morning
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Alfredo Müller - April sun
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Llewelyn Lloyd - Midday in Manarola
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Llewelyn Lloyd - The disk of the sun
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Benvenuto Benvenuti - Summer. Morning
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Rubaldo Merello - Landscape. Study
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Filiberto Minozzi - Rainy day
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Leonardo Dudreville - Spring in Val Sassina
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Cesare Maggi - Viaticum
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Cesare Maggi - The melancholy of the sun
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Carlo Fornara - Pasture
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Carlo Cressini - The gray village
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Giacomo Balla - Landscape
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Serafino Macchiati - The abandoned cart
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Gaetano Previati - Maternity
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Gaetano Previati - Adoration of the Magi
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Gaetano Previati - The way to Calvary
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Gaetano Previati - Penumbra
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Matteo Olivero - Suburb
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Arturo Noci - Morning
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Aleardo Terzi - Autumn afternoon
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Camillo Innocenti - Morning
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Enrico della Leonessa - Figure of a Woman (Portrait of Violette)
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Galileo Chini - The nostalgic hour on Mé-Nam
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Umberto Boccioni - Portrait of Armando Mazza
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Umberto Boccioni - House under construction
Medardo Rosso - Concierge (Concierge)
Gino Severini - Self-portrait
Luigi Russolo - Self-portrait
Giuseppe Pelizza da Volpedo - Vallon to Volpedo
Umberto Boccioni - January in Padua
Vittore Grubicy de Dragon - In Fiumelatte from the railway underpass
Sexto Canegallo - Vibrant
Pietro Mengarini - The blue vase
Cornelio Geranzani - The candle
Domenico Guerello - The long wait
Luigi Conconi - Medieval motif
Emilio Longoni - Drawings for a fresco. Mary Magdalene at the foot of the cross
Giuseppe Pelizza da Volpedo - The woman of the emigrant
Giuseppe Pelizza da Volpedo - Idyll. The tree of Life
Giuseppe Pelizza da Volpedo - Portrait of Giovanni Cantù
Giuseppe Pelizza da Volpedo - Study of figures for spring idyll
Giuseppe Pelizza da Volpedo - May morning
Giuseppe Pelizza da Volpedo - The bridge
Giuseppe Pelizza da Volpedo - Portrait of peasants (Portrait of Signora Battegazzore)
Giuseppe Pelizza da Volpedo - Portrait of a peasant owner
Flavio Bertelli - Will be
Giovanni Sottocornola - The exit of the workers from the Pirelli factory
Giovanni Battista Crema - Night work at Termini Station
Plinio Nomellini - Piazza Caricamento in Genoa
Emilio Longoni - Reflections of a hungry. Study
Plinio Nomellini - Strike
Emilio Longoni - Ona city street
Giuseppe Mentessi - Tears
Attilio Pusterla - Painful reflections
Attilio Pusterla - To the Italian economic kitchens
Angelo Morbelli - I remember when I was a girl
Angelo Morbelli - The search for light. Study for central triptych image
Baldassare Longoni - Caryatids
Giovanni Segantini - Harvesting hay
Carlo Fornara - The sower
Plinio Nomellini - Morning in the workshop
Gino Romiti - Going to the factory
Emilio Longoni - Solitude
Angelo Barabino - The sun
Giovanni Segantini - Hail Mary in transit
Angelo Barabino - Robbery
Angelo Morbelli - Believers
Giovanni Battista Ciolina - Return from the alp
Angelo Torchi - Maize on the farmyard
Plinio Nomellini - On the Ligurian coast (Sulla costa ligure)
Angelo Morbelli - Curious old women
Giorgio Kienerk - San Martino d'Albaro
Giovanni Segantini - Maternal love
Plinio Nomellini - April morning
Alfredo Müller - April sun
Llewelyn Lloyd - Midday in Manarola
Llewelyn Lloyd - The disk of the sun
Benvenuto Benvenuti - Summer. Morning
Rubaldo Merello - Landscape. Study
Filiberto Minozzi - Rainy day
Leonardo Dudreville - Spring in Val Sassina
Cesare Maggi - Viaticum
Cesare Maggi - The melancholy of the sun
Carlo Fornara - Pasture
Carlo Cressini - The gray village
Giacomo Balla - Landscape
Serafino Macchiati - The abandoned cart
Gaetano Previati - Maternity
Gaetano Previati - Adoration of the Magi
Gaetano Previati - The way to Calvary
Gaetano Previati - Penumbra
Matteo Olivero - Suburb
Arturo Noci - Morning
Aleardo Terzi - Autumn afternoon
Camillo Innocenti - Morning
Enrico della Leonessa - Figure of a Woman (Portrait of Violette)
Galileo Chini - The nostalgic hour on Mé-Nam
Umberto Boccioni - Portrait of Armando Mazza
Umberto Boccioni - House under construction

Other works on display

Description

Gaetano Previati's painting deals with subjects taken from the Gospels, reworking them in a mystical but human key, visionary but true, engaging but not rhetorical. There are many versions of the Adoration of the Magi or The Magi, in which the theme of maternal love intersects with the Gospel story, the structure of the Adoration of the Magi of Tortona is similar to that of the other known versions, set on a composition with a marked horizontal development in which the compact group of main characters, on the left, protected by the dim light of a sparse shelter, is intent on adoring the sleeping Child, lying as in a cradle on the legs of his mother seated in heartfelt prayer. On the opposite side, the backlit figures of the retinue of the Magi bear the gifts, while at the same time holding the sumptuous robes garnished with golden scrolls, lit with lights and reflections that confuse them with the landscape behind them. Open in the background in a clear sky, the horizon unfolds brightly, touching the hinted profiles of the camels and casting long colored shadows on the land bathed in golden light. The chromatic richness is declined by a filamentous and fast, impetuous and expressive brushstroke, softened by the delicacy of the colors that break in myriads of superimposed signs.

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