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MACI - Museo Arte Contemporanea di Imperia verified

Imperia, Liguria, IT closed Visit museumarrow_right_alt

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Josef Albers - Gentle venture
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Alberto Biasi - Polytypte 72
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Max Bill - Schwarzes viertel
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Enrico Castellani - Grey surface
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Piero Dorazio - Blue call
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Lucio Fontana - Spatial concept, Waits, cuts
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Lucio Fontana - Spatial concept, Waits, Red
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Enzo Mari - Structure number 731
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Marino Marini - Horse and horseman
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Ennio Morlotti - Wild Centaury
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Carlo Nangeroni - Continuous serial
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Robert Delaunay - Landscape
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Mauro Reggiani - Composition
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Gerhard Richter - Grey
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Victor Vasarely - G.D.4
Josef Albers - Gentle venture
Alberto Biasi - Polytypte 72
Max Bill - Schwarzes viertel
Enrico Castellani - Grey surface
Piero Dorazio - Blue call
Lucio Fontana - Spatial concept, Waits, cuts
Lucio Fontana - Spatial concept, Waits, Red
Enzo Mari - Structure number 731
Marino Marini - Horse and horseman
Ennio Morlotti - Wild Centaury
Carlo Nangeroni - Continuous serial
Robert Delaunay - Landscape
Mauro Reggiani - Composition
Gerhard Richter - Grey
Victor Vasarely - G.D.4

Other works on display

Description

Polytype 72 is part of the namesake cycle which Alberto Biasi begins in 1965 and will continue to develop throughout his entire artistic career. Polytypes are lamellar structures in PVC, with which Biasi experiments with the infinite possibilities of formal modulation optical-dynamic objects, to suggest the impression of movement. The artist plays with the various perceptions of the viewer, obtained thanks to the densification or rarefaction of the points and lines of the structure. Moving in space the observer can indeed perceive dynamic of static images, depending on whether one chooses to move or observe the work from a fixed position. Biasi articulates his art according to specific research standards: interaction of the spectator with the work plays a fundamental role and movement – in its passive meaning of virtual motion – leads the artist to experiment his research on visual perception and individual reaction to light stimulus. Indeed, in the 1990s the Polytypes are enriched with further pictorial elements, in the form of inserts of colour, traces, shadows, allusions which sustain this complex stratified-surfaced structure. Deepening his research on the luminous impact of natural light, Biasi elaborates new solutions with hypnotic effects, created using torsion, the overlapping of mediums, and the intertwining of laminates and strips. The game between spectator-actor and work becomes more and more complex and free, confirming the absolute variability of the viewer’s perception.

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