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Federico Barocci - Portrait of Maddalena Osuna Giron
fullscreen
Alessandro Algardi - Attila
fullscreen
Alvise Vivarini - Crucifix with angels who collect the blood of Christ
fullscreen
Franz Werner Von Tamm, detto Monsó Daprait - Vase of flowers, watermelon and moretto with a fruit tray
fullscreen
Christian Berentz - Flowers, fruit and a tray with glass goblets
fullscreen
Elisabetta Sirani - Madonna with Child and San Giovannino
fullscreen
Calydonian Boar Hunt
fullscreen
Giovanni Bellini - Coronation of the Virgin
fullscreen
Guido Reni - Fall of the Giants
fullscreen
Winged Putto
fullscreen
Giannandrea Lazzarini - Trinity with the Madonna
fullscreen
Mariotto di Nardo - Madonna and Child with Saints Michael and Francis
fullscreen
Beautiful Hope - Pump Plate
fullscreen
Coat of arms of the Veterani family of Urbino
fullscreen
Ferruccio Mengaroni - Medusa
Federico Barocci - Portrait of Maddalena Osuna Giron
Alessandro Algardi - Attila
Alvise Vivarini - Crucifix with angels who collect the blood of Christ
Franz Werner Von Tamm, detto Monsó Daprait - Vase of flowers, watermelon and moretto with a fruit tray
Christian Berentz - Flowers, fruit and a tray with glass goblets
Elisabetta Sirani - Madonna with Child and San Giovannino
Calydonian Boar Hunt
Giovanni Bellini - Coronation of the Virgin
Guido Reni - Fall of the Giants
Winged Putto
Giannandrea Lazzarini - Trinity with the Madonna
Mariotto di Nardo - Madonna and Child with Saints Michael and Francis
Beautiful Hope - Pump Plate
Coat of arms of the Veterani family of Urbino
Ferruccio Mengaroni - Medusa

Other works on display

Description

After a period of stalemate, around 1540, the Pesaro majolica returns to its former glory. The transfer of the Della Rovere court from Urbino to Pesaro in 1538 helped fuel an urban and artistic renewal and thus the representation of 'stories' arrived in Pesaro, where it was performed mainly in the workshops of Girolamo and Giacomo Lanfranco Dalle Gabicce. Dated to 1541, the cup is one of the earliest examples of Pesaro's historiato. The scene, painted with bright chromatism, denotes an almost childlike hand. The characters are defined in an essential way and animated by an intense dynamism. Elements that will become constant in the historical Pesaro area also appear in the cup, such as the approximate buildings in the distance, and above all the insertion of the mythological event in a naturalistic landscape, which is therefore preferred to the architectural setting.

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