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The BPER Banca Gallery verified

Modena, Emilia-Romagna, Italy closed Visit museumarrow_right_alt

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Francesco Bianchi Ferrari - Saint Jerome in the desert
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Giovanni Francesco Barbieri, detto Guercino - Apollo and Marsyas
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Cristoforo Canozi de Lendinara - Adoration of the Child with San Bernardino - the Eternal Father blessing
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Ludovico Lana - San Sebastiano curated by Irene
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Giovanni Battista Benvenuti, detto l'Ortolano - The Madonna and Child, San Giovannino and Santa Scolastica
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Bartolomeo Passarotti - Peasant playing the lute
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Girolamo Sellari, detto Girolamo da Carpi - The Crucifixion
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Luca Ferrari - Sant'Andrea
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Girolamo Sellari, detto Girolamo da Carpi - Santa Cecilia
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Giovanni Andrea Sirani - Neptune receives tulip bulbs from Earth
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Alessandro Tiarini - Rinaldo and Armida
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Gaspare Venturini - Allegory of the Good Government
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Jacopo Zanguidi, detto il Bertoja - St. Peter and St. Paul. Stories from their life
Francesco Bianchi Ferrari - Saint Jerome in the desert
Giovanni Francesco Barbieri, detto Guercino - Apollo and Marsyas
Cristoforo Canozi de Lendinara - Adoration of the Child with San Bernardino - the Eternal Father blessing
Ludovico Lana - San Sebastiano curated by Irene
Giovanni Battista Benvenuti, detto l'Ortolano - The Madonna and Child, San Giovannino and Santa Scolastica
Bartolomeo Passarotti - Peasant playing the lute
Girolamo Sellari, detto Girolamo da Carpi - The Crucifixion
Luca Ferrari - Sant'Andrea
Girolamo Sellari, detto Girolamo da Carpi - Santa Cecilia
Giovanni Andrea Sirani - Neptune receives tulip bulbs from Earth
Alessandro Tiarini - Rinaldo and Armida
Gaspare Venturini - Allegory of the Good Government
Jacopo Zanguidi, detto il Bertoja - St. Peter and St. Paul. Stories from their life

Other works on display

Description

The presence next to the Virgin of Scholastica, sister of St. Benedict, indicates that this delicate tablet, intended for private devotion, was made for a Benedictine nun. It is one of the most evocative works among those executed by the Ferrara painter around 1520 and dedicated to the theme of the Holy Family within the landscape. The classic definition of the forms and the elegant correspondence of the gestures reveal a now complete Raphaelesque experience but are softened by the juxtaposing and colloquial tone of the protagonists and the naturalism of the landscape that refers to Giorgione models in the grassy bank on the bottom. Alongside more prolific artists such as Dosso Dossi and Garofalo present in Ferrara in recent years, Ortolano's simple and direct painting bears a note of touching sincerity even when his language does not refuse a comparison with the most modern innovations proposals from contemporary culture.

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