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Experimental Museum of Contemporary Art Mu.Sp.Ac. verified

L'Aquila, Abruzzo, Italy closed Visit museumarrow_right_alt

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Silvia Stucky - The silence inhabits the houses
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Renata Boero - Can
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Carlo Bernardini - Shadow lines
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Bruna Esposito - In display case
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Carla Accardi - Without title
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Giosetta Fioroni - Fioroni Giosetta
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Getulio Alviani - Without title
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Franco Berdini - Drawing and collage preparatory draft for the book Art, magic and astrology in Leonardo's cenacle
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Eliseo Mattiacci - Without title
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Maurizio Benveduti - Chiasma
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Giuseppe Gallo - Billy goat
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Primo Conti - Man in a bathing suit
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Giulio Paolini - Immaculate Conception
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Joseph Beuys - Defense of Nature
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Joseph Beuys - Olivestone
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Jannis Kounellis - A fifteen-year-old captain
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Mario Schifano - Bike
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Franco Angeli - Metaphysicians
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Giuseppe Chiari - Flow
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Mario Schifano - House
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Fabio Mauri - Ideology and nature
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Fabio Mauri - The universe, like infinity, we see it in pieces
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Pierpaolo Calzolari - Without title
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Mario Merz - Tables
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Vettor Pisani - Without title
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Vettor Pisani - Self portrait
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Vettor Pisani - The slide
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Vettor Pisani - Campidoglio square
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Vettor Pisani - Without title
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Gilberto Zorio - Volcano
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Christo - Packaging of Porta Pinciana
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Mario Ceroli - The David
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Fabio Mauri - Celestino V
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Giuseppe Pietroniro - Drawing
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Gino Sabatini Odoardi - Express impossibility
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Claudio Asquini - Ninna Nanna
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Luana Perilii - even this year
fullscreen
Tobia Ravà - Heavenly infinity corner
fullscreen
Gea Casolaro - Above our future
fullscreen
Matteo Montani - Emergence
Silvia Stucky - The silence inhabits the houses
Renata Boero - Can
Carlo Bernardini - Shadow lines
Bruna Esposito - In display case
Carla Accardi - Without title
Giosetta Fioroni - Fioroni Giosetta
Getulio Alviani - Without title
Franco Berdini - Drawing and collage preparatory draft for the book Art, magic and astrology in Leonardo's cenacle
Eliseo Mattiacci - Without title
Maurizio Benveduti - Chiasma
Giuseppe Gallo - Billy goat
Primo Conti - Man in a bathing suit
Giulio Paolini - Immaculate Conception
Joseph Beuys - Defense of Nature
Joseph Beuys - Olivestone
Jannis Kounellis - A fifteen-year-old captain
Mario Schifano - Bike
Franco Angeli - Metaphysicians
Giuseppe Chiari - Flow
Mario Schifano - House
Fabio Mauri - Ideology and nature
Fabio Mauri - The universe, like infinity, we see it in pieces
Pierpaolo Calzolari - Without title
Mario Merz - Tables
Vettor Pisani - Without title
Vettor Pisani - Self portrait
Vettor Pisani - The slide
Vettor Pisani - Campidoglio square
Vettor Pisani - Without title
Gilberto Zorio - Volcano
Christo - Packaging of Porta Pinciana
Mario Ceroli - The David
Fabio Mauri - Celestino V
Giuseppe Pietroniro - Drawing
Gino Sabatini Odoardi - Express impossibility
Claudio Asquini - Ninna Nanna
Luana Perilii - even this year
Tobia Ravà - Heavenly infinity corner
Gea Casolaro - Above our future
Matteo Montani - Emergence

Other works on display

Description

The work is a multiple of the Fibonacci Tables, which the artist exhibited in Geneva in 1985 and represents perhaps the most complete idea compared to the author's cycle of tables, as it combines two discourses: the tables conceived as the architectural and object representation of the Fibonacci numerical series (identified in the thirteenth century by the abbot Leonardo da Pisa, nicknamed Fibonacci according to which each number is constituted by the sum of the two preceding it) and, visually, the spiral. Regarding the cycle of tables, the artist in an interview from 1981 (with Amman Pagè) states: "The idea of the table came to me for the first time while we were sitting, all together, in a restaurant. There was a photographer who first photographed one person, then two, three ... up to 55. It was a structure corresponding to the Fibonacci numerical series ... I therefore made a table for one person, for two people, then for three and so on ... what interested me is the physical side of the table, since the table is linked to man in a very organic way. The table is a raised, elevated piece of land ". All of Mario Merz's work focuses on the absolute predilection for the spiral form, understood as a mathematical and symbolic form: the spiral which, moving away from itself for infinite repetitions, reaffirms itself.

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