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Evgeny Antufiev - Untitled
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Evgeny Antufiev - Untitled
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Jules de Balincourt - Psychedelic Soldier
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Jules de Balincourt - Waiting Tree
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Chantal Joffe - Bumptious Mansions
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Chantal Joffe - Moll with the Cat
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Alessandra Ariatti - Vilma e Gianfranca. “Gratuitamente avete ricevuto, gratuitamente date” (Vangelo di Matteo 10,8)
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Alessandra Ariatti - Rosanna e Vanna. Le risorse del tempo
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Jacob Kassay - Untitled
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Jacob Kassay - Untitled
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Krištof Kintera - Systemus Postnaturalis (detail)
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Krištof Kintera - Systemus Postnaturalis
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Alessandro Pessoli - Fiamma pilota
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Enoc Perez - Casa Malaparte (Day)
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Enoc Perez - Casa Malaparte (Night)
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Alessandro Pessoli - Testa farfalla su matrice locomotiva
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Gert Tobias; Uwe Tobias - Ohne Titel
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Thomas Scheibitz - ECLECTICA
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Thomas Scheibitz - VT Bühne
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Gert Tobias; Uwe Tobias - Ohne Titel
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Claudio Parmiggiani - Caspar David Friedrich
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Mimmo Paladino - Cimento
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Jannis Kounellis - Untitled
Evgeny Antufiev - Untitled
Evgeny Antufiev - Untitled
Jules de Balincourt - Psychedelic Soldier
Jules de Balincourt - Waiting Tree
Chantal Joffe - Bumptious Mansions
Chantal Joffe - Moll with the Cat
Alessandra Ariatti - Vilma e Gianfranca. “Gratuitamente avete ricevuto, gratuitamente date” (Vangelo di Matteo 10,8)
Alessandra Ariatti - Rosanna e Vanna. Le risorse del tempo
Jacob Kassay - Untitled
Jacob Kassay - Untitled
Krištof Kintera - Systemus Postnaturalis (detail)
Krištof Kintera - Systemus Postnaturalis
Alessandro Pessoli - Fiamma pilota
Enoc Perez - Casa Malaparte (Day)
Enoc Perez - Casa Malaparte (Night)
Alessandro Pessoli - Testa farfalla su matrice locomotiva
Gert Tobias; Uwe Tobias - Ohne Titel
Thomas Scheibitz - ECLECTICA
Thomas Scheibitz - VT Bühne
Gert Tobias; Uwe Tobias - Ohne Titel
Claudio Parmiggiani - Caspar David Friedrich
Mimmo Paladino - Cimento
Jannis Kounellis - Untitled

Other works on display

Description

These works are part of the project conceived by Scheibitz for the Maramotti Collection in 2011, consisting in total of three large canvases and a sculpture, where neither the sculpture is a three-dimensional extension of the iconography of the painting, nor the paintings two-dimensionally repeat the typology of images of the sculpture. While the latter appears as the possible monumental version of a hieroglyph extrapolated from an unknown language, the three works on canvas rather put in place an abstract representation that evokes and mitigates the scene and the plastic elements of the suprematist theater and the Bauhaus. In the complex compositional structure of the works of Scheibitz, one of the most significant contemporary German artists (in 2005 he represented Germany at the Venice Biennale), the varied iconic and tectonic elements constitute or allude to abstract, para-geometric transpositions of figures and signs taken from the collective repository of images that historical visual culture and the various media, from advertising to cinema, make available today. In the pictorial construction process implemented by the artist, these elements are always characterized by an accentuated perspective inscription, which has remained constant in the evolution of its language. A similar process is manifested in his sculptures: the artist hermetically transposes the figures he collected in the systematic exploration of the collective visual imagery into abstract plastic articulations, evolving the quote into invention. For this reason, he regularly makes works on canvas and three-dimensional structures coexist in his exhibitions.

Other artworks in Reggio Emilia

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