Art, technology and innovation meet in May in Bergamo, Italian Capital of Culture 2023, thanks to the artist Beatrice Sancinelli in her first solo exhibition, a deeply emotional, physically engaging and completely inclusive multisensory journey. An experience that will allow visitors to experience the work of art in a totally innovative way, in which the real and the digital come together.

On May 5, the first solo exhibition of Beatrice Sancinelli opens, a young artist with training in the world of cinema, who presents her latest work Rumore dell'Umore, a multi-sensory and immersive journey created thanks to the recent innovations of virtual reality.

The audiovisual work was created in collaboration with the dancer and performer Emanuele Algeri and the make-up artist Angelica Primavesi.

For this debut, the artist has chosen Bergamo, his hometown which is also, together with Brescia, the Italian Capital of Culture 2023. The exhibition curated by Maria Vittoria Baravelli is hosted in the Carmine Cloister, a fascinating place and hidden treasure of Bergamo Alta, a sixteenth-century monastery usually closed to the public which opens its doors for this Italian Capital of Culture to welcome visitors to discover a new and innovative work.

The idea for Rumor dell'Umore was born in the spring of 2020 when, like everyone else, the artist was forced into the first lockdown. The solitary and silent experience turns into a dialogue with Emanuele Algeri and finally into an opportunity to rediscover the world around them, too often ignored by routine, to concentrate on their own perceptions and moods which now acquire and reveal their own noise specific that gives voice to the body itself and accompanies the sounds of nature, rediscovered and experienced with new and aware eyes.

This sensory journey can be interpreted by visitors as a contemporary via crucis that illustrates the search for faith and hope, which has always been a constant in the life and work of the artist, which he finds in nature, in human relationships and in his own freedom of expression.