In an open dialogue between ancient and contemporary art, between different means of expression, between reflections on space and function, the exhibition by Ugo La Pietra offers the public not only the opportunity to deepen one of the most singular figures of our years but to reread the large Carrara collection thanks to four installations and a special project: three historical works, an unpublished work created specifically for the Bergamo exhibition and in direct reference to Madonna and Child by Jacopo di Antonello and an interactive installation dedicated to citizenship. The project is completed by the audiovisual section hosted at GAMeC, four historical films from the 1970s and the documentary Ugo La Pietra. Unbalancing project by Lucio La Pietra, dedicated to the exhibition at the Milan Triennale 2014/2015.
In the Accademia Carrara, on the first floor, in the rooms dedicated to the masterpieces of Italian and international art of the fourteenth and fifteenth centuries, La Pietra presents four installations that relate directly to the spaces and works of the museum, using different means of expression: from drawing to ceramic to glass.

NATURAL SIGNALS 2019   Column in ceramic, container in blown glass, cherries in blown glass from Murano Explicit mention of the Madonna and Child by Jacopo di Antonello dated to 1480;

THE LAST SUPPER 2017   12 plates in engobed and hand-engraved ceramic by the author and 12 test tubes in painted transparent glass, on a wooden trestle structure;

OPEN BOOKS. HELL, PURGATORY, PARADISE 2018 Three books in engobed and engraved ceramic and drawings on a trestle structure
Wood. Quotations from Bartolomeo Montagna's work San Gerolamo;

OPEN BOOKS 2004/2008 Books in engobed and engraved ceramic on metal trestles.