Blending documentary realism, abstract sequences, and fictional genres, the work slowly delves into the deep layers of pain of a wounded landscape, inhabited by the spirits of countless entities, human and non-human, who have lost their lives there. Transforming the body of water into a portal to intangible worlds and into an uneasy mirror of the present, Aprahamian's work reflects and testifies to the consequences of violence, historical trauma, and environmental degradation.