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Raccolta Stampe Achille Bertarelli verified

Milano, Lombardia, IT closed Visit museumarrow_right_alt

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Rembrandt Harmenszoon van Rijn, detto Rembrandt - Te resurrection of Lazarus
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Jan Harmensz Muller - Portrait of Isabella of Spain
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Giorgio Morandi - Large still life with lamp on the right
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Albrecht Dürer - The dream of the doctor
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Antonio Lafrery - Pictorial map of Milan
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Bernardo Prevedari - Interior of a ruined church or temple with figures
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Edvard Munch - The woman (The sphynx)
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Giuseppe Maria Mitelli - The world is mostly a madhouse
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Francisco Goya - The sleep of Reason produces monsters
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Luigi Conconi - The wave
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Leopoldo Metlicovitz - Inauguration of the Sempione. International Exposition Milan 1906
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Bruno Munari - Coria Pirelli
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Giovanni Maria Mataloni - Società Anonima per la incandescenza a gas. Brevetto Aver
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Dudovich Marcello - Liquore Strega Ditta G. Alberti Benevento - Chiasso
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Alexandre de Riquier - Ayuntamiento de Barcelona - 3ra Exposicion de Bellas Artes e Industrias Artisticas
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William Bradley - Victor Bicycles, Overman Wheel Co.
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Pietro Bestetti - Chi sono i manager - Il Mondo, n. 4, january 26th 1979 (cover)
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Pietro Bestetti - Alber Camus, The Plague, Paris, Gallimard, 1991 (cover)
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Pietro Bestetti - Exporting Capital - Il Mondo, n. 12, 21 March 1983 (cover)
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Pietro Bestetti - Kites
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Pietro Bestetti - Pressed by the tax - Il Mondo, n. 13, 30 marzo 1979 (cover)
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Pietro Bestetti - The Lira in danger - il Mondo, n. 14, 4 April 1983 (cover)
Rembrandt Harmenszoon van Rijn, detto Rembrandt - Te resurrection of Lazarus
Jan Harmensz Muller - Portrait of Isabella of Spain
Giorgio Morandi - Large still life with lamp on the right
Albrecht Dürer - The dream of the doctor
Antonio Lafrery - Pictorial map of Milan
Bernardo Prevedari - Interior of a ruined church or temple with figures
Edvard Munch - The woman (The sphynx)
Giuseppe Maria Mitelli - The world is mostly a madhouse
Francisco Goya - The sleep of Reason produces monsters
Luigi Conconi - The wave
Leopoldo Metlicovitz - Inauguration of the Sempione. International Exposition Milan 1906
Bruno Munari - Coria Pirelli
Giovanni Maria Mataloni - Società Anonima per la incandescenza a gas. Brevetto Aver
Dudovich Marcello - Liquore Strega Ditta G. Alberti Benevento - Chiasso
Alexandre de Riquier - Ayuntamiento de Barcelona - 3ra Exposicion de Bellas Artes e Industrias Artisticas
William Bradley - Victor Bicycles, Overman Wheel Co.
Pietro Bestetti - Chi sono i manager - Il Mondo, n. 4, january 26th 1979 (cover)
Pietro Bestetti - Alber Camus, The Plague, Paris, Gallimard, 1991 (cover)
Pietro Bestetti - Exporting Capital - Il Mondo, n. 12, 21 March 1983 (cover)
Pietro Bestetti - Kites
Pietro Bestetti - Pressed by the tax - Il Mondo, n. 13, 30 marzo 1979 (cover)
Pietro Bestetti - The Lira in danger - il Mondo, n. 14, 4 April 1983 (cover)

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Description

Plate 43 of the series of 80 prints titled Los Caprichos, The Whims, is an example of a second state; a trial proof in which the inscription is illegible. Behind the performer asleep on his work table, one can make out a threatening pack of nocturnal animals, owls, bats, a cat and a lynx. Caprichos by Goya, engraved after 1797 and published in book form in 1799, is an enigmatic work, which develops three dominant themes, a violent satire denouncing the vices of men and society, erotic motifs and witchcraft, seen as a demonic tendency and primitive insight as opposed to reason. According to some scholars Goya uses allegorical language as a means to escape censure. The choice of animals for this composition such as the cat, the symbol of lust and laziness, and the lynx, equipped with keen eyesight that enables it to follow the light through darkness, seems to confirm this view.

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