Description
In this series of small plates painted between 1994 and 1995, Pharaildis Van den Broeck begins his analysis of the onion, a simple element of everyday life. The pictorial technique used recalls the Flemish tradition of still life.
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This regulation contains the rules governing the relations between Restart S.r.l. its Partners and supporting users of the Platform. The provision of services by Restart s.r.l. through the Artsupp platform in favor of the Partner who wants to propose a fundraiser (hereinafter: Partner) is subject to the following terms and conditions.
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By "project" we mean any activity that aims to enhance and / or improve the cultural offer and services offered to the public by the institution. Any activity that positively affects the cultural offer is eligible:
By way of non-exhaustive, we report some categories of projects admitted by the Platform:
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(Euro area): 1.4% + € 0.25 for each donation received
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The Partner remains the exclusive owner of what is published on the platform in its reference section. Artsupp may use the means at its disposal, online and offline, the information, the contents disseminated and the data relating to everything that will be published on www.artsupp.com in order to promote and advertise the platform and the Partners. This contract is subject to Italian jurisdiction and, in the event of disputes, the competent court is that of Rome. Roma, Rome, February 2022
The website artsupp.com is an online multilingual platform dedicated to the promotion of cultural institutions. The site content and its rights are reserved and can be referred to only for personal information. Any improper use of the site information without prior consent of artsupp.com is strictly forbidden. Restart S.R.L is a company based in Rome, Viale Angelico n.101, registered on the Registro delle Imprese with number RM – 1450606. Tax reference and VAT number 13481941006 and owns Artsupp, available online at http://www.artsupp.com. The guidelines below include norms regulating relationships between Restart S.R.L, its customers and those visiting the platform Artsupp.
Arstupp Visitor: he who visits the various webpages on Artsupp.
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Artsupp Partner: any cultural institution having the requisites whose identity is verified upon joining the platform Artsupp.
A Visitor becomes User once he fills out the registration form with personal data (username/email/password), or accessing through their Facebook account. The User pledges to provide information to Artsupp which is true and accurate, and to update it thereafter in their most current form. Every User is responsible for his own account and for all activities carried out from it; every User is responsible for keeping his credentials secrete and not to share them with other Users. In so doing, the User waives Artsupp from any responsibility in the matter.
Any permanent or temporary cultural institution that, according to its own identity, manages and preserves historical heritage for the benefit of the public can be a Partner on the platform Artsupp. Artsupp reserves the rights to assess the appropriateness of all subscription requests.
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3. Location;
4. Opening hours;
5. Website;
6. Avatar;
7. Profile Image of video;
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9. Images from the collection;
10. Taglines for the images shown (author, name of the work, date, technique);
11. Press release for current exhibitions or future events.
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Info: this section is aimed at highlighting the spaces of the Institution. A short description of the Institution together with images of its spaces and information around opening times will be included, along with the official link to the Institution website.
Events calendar: this section is for the Institution to share calendar of future events and cultural programs.
Collection: a brief overview of the works part of the collection. In cases where the Partner does not have a permanent collection, images of the works temporarily exposed will be uploaded.
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Artsupp offers to its Partners a free web portal developed with the aim of boosting their interaction with the public of the arts and of cultural institutions. All tools of the Platform aimed at marketing and communication are managed autonomously by Artsupp depending on its needs and objectives. Artsupp offers to the individual Partners visibility on the platform, committing to communicate to its own Users with the available means the activity and the content of the Partners’ cultural offer. Artsupp cannot guarantee that the content of individual Partners will have equal visibility to its Users. It is beyond the control of Artsupp to verify in advance the possible results of the online search, the order of pages or the corresponding content. Artsupp cannot be held responsible from the Users or third parties for what will come out of the web search. Partners remain exclusive owners of what published on the platform in their dedicated section. Artsupp will be able to use with the available means, online and offline, the information, the content and the data made public on www.artsupp.com with the aim of advertising and promoting the platform and the Partners. In order to protect the image rights of Individual Partners Artsupp won’t allow the content of the Platform to be available to download. Information included in the website is published in good faith of its authenticity and truthfulness. Artsupp, notwithstanding its dedication to maintain the website in good order and the information therein reliable and up to date, declines any responsibility for direct or indirect damage resulting from incorrect information having been included on the platform, particularly in those circumstances where information included might be interpreted by the Users as a foundation for decisions on initiative of economic or financial nature.
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All material published on Artsupp is under copyright of Artsupp.com or third parties. In this regard, we remind Users that the Legge sul Diritto D’Autore forbids unauthorised reproduction and public dissemination (also through file sharing) of works under copyright. It is therefore prohibited to upload online or to exchange works without prior authorization from the authors. The above Law regulates sanctions for the non-compliant. Those found to contravene the above regulation will be prosecuted according to the Law. Likewise, Users should notify Artsupp of copyrights to give Artsupp the possibility to verify them. The present contract is subject to the Italian jurisdiction and the Roman court of justice is the most competent one, should controversies arise.. Rome, February 2018
Pharaildis Van den Broeck has always favored the image over the word, so even when he begins to use newspaper as his main support he carefully chooses which pages to use, intervening with painting to highlight photographs or titles (these too are always used for their iconic rather than textual value). In this work, symbols, protagonists and actions are merged into a syncopated story through images: like the famous clash between Zinédine Zidane and Marco Materazzi that shocked fans from all over the world, but also inspired the world of art.
In Arsenal - Liverpool the process of iconographic and symbolic synthesis of the composition cancels any reference to the specific action, restoring the concept of competition through the heraldic juxtaposition of the teams. Any dynamism is locked in a precise grid, that of the football field, within which the personifications of the teams stand out and no longer the participants in the game.
Newspaper is a changing material in itself, but Phara's use of it enhances its images, physical consistency and pictorial quality even more. In this 2013 work, the entire surface is covered with a dense texture of newspaper strips to create a uniform and vibrant pattern. From this field emerge symbolic figures made with the same material applied to create a low relief. It is one of the artist's most enigmatic works as it collects most of the elements present in his previous production in an ordered composition: ideograms of an alphabet or pawns on a chessboard ready for a game whose rules remain unknown.
In 1997 the artist was already familiar with large format painting. This work is emblematic of a passage of stairs; his recurring subject finds here a full sculptural presence. Not without a veil of irony Pharaildis Van den Broeck restores to the humble vegetable the encomyistic dignity of Baroque portraiture.
In 2009, Phara, parallel to the theme of football, takes up some themes that he had already dealt with in the nineties, combining them with symbols from popular culture. In this work, the usual onion is transformed into a greasy tree from which geometric gnomes hang . In the same period he returns to the use of the canvas experimenting with new painting techniques.
Landscape with onions is an example of synthesis of the pictorial experiments of previous years and of opening towards new research. The large-sized painting opens a window on a landscape that is only apparently traditional in which the rich palette of blues and greens manages to find a balance between the depth of the visual field and the decorative graphics of the details, between the two-dimensionality of the pictorial texture and the sculptural volume of the portrait subject. .
In this series of small plates painted between 1994 and 1995, Pharaildis Van den Broeck begins his analysis of the onion, a simple element of everyday life. The pictorial technique used recalls the Flemish tradition of still life.
The desire to constantly experiment with new techniques pushes Phara to combine the results of research on both acrylic painting and newspaper on canvas. In the works of 2013, newspapers are no longer chosen for the printed images they collect but because they allow them to introduce a three-dimensional component within the work. Cut into thin strips , the media ideally composes the body of the onion, the dense and decisive brushstrokes underline its structure and contours.
In this series of works from 2005, Phara uses as support the pages of Opwijks Leven, a weekly publication still widely read in the artist 's hometown . Body painting is used to highlight some keywords printed in the newspaper and to give them a visual form. In recent years, the artist has been experimenting with new techniques and languages to find his own expressive force .
Over the years, Phara's painting technique tends more and more towards a synthetic and biting expressiveness. The works of this period, like this one, are characterized by flat backgrounds, saturated colors, decisive and contrasting brushstrokes that reach graphic results reminiscent of woodcut.
Other works on display
In this series of small plates painted between 1994 and 1995, Pharaildis Van den Broeck begins his analysis of the onion, a simple element of everyday life. The pictorial technique used recalls the Flemish tradition of still life.
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