Palazzo Reale aims to define its physiognomy, in one of the most delicate phases of its history, involving the architectural complex, its collections, furnishings and decorations. The private and public work of art, set in the apartment of the hereditary princes, set up and furnished by order of Carlo Alberto in 1842, on the occasion of the wedding of the Dukes of Savoy Vittorio Emanuele and Maria Adelaide of Habsburg-Lorraine.