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Federico Barocci - Portrait of Maddalena Osuna Giron
fullscreen
Alessandro Algardi - Attila
fullscreen
Alvise Vivarini - Crucifix with angels collecting Christ's blood
fullscreen
Franz Werner Von Tamm, detto Monsó Daprait - Flowerpot, watermelon and moretto with a fruit platter
fullscreen
Christian Berentz - Flowers, fruit and tray with glass goblets
fullscreen
Elisabetta Sirani - Mother with child and Saint John
fullscreen
Hunt for the Calydonian boar
fullscreen
Giovanni Bellini - Coronation of the Virgin
fullscreen
Guido Reni - Fall of the Giants
fullscreen
Winged putto
fullscreen
Giannandrea Lazzarini - Trinity with Madonna
fullscreen
Mariotto di Nardo - Madonna with child with Saints Michel and Francis
fullscreen
Speranza bella - parade plate
fullscreen
Coat of arms of the Veterani family of Urbino
fullscreen
Ferruccio Mengaroni - Medusa
Federico Barocci - Portrait of Maddalena Osuna Giron
Alessandro Algardi - Attila
Alvise Vivarini - Crucifix with angels collecting Christ's blood
Franz Werner Von Tamm, detto Monsó Daprait - Flowerpot, watermelon and moretto with a fruit platter
Christian Berentz - Flowers, fruit and tray with glass goblets
Elisabetta Sirani - Mother with child and Saint John
Hunt for the Calydonian boar
Giovanni Bellini - Coronation of the Virgin
Guido Reni - Fall of the Giants
Winged putto
Giannandrea Lazzarini - Trinity with Madonna
Mariotto di Nardo - Madonna with child with Saints Michel and Francis
Speranza bella - parade plate
Coat of arms of the Veterani family of Urbino
Ferruccio Mengaroni - Medusa

Other works on display

Description

In the nineteenth century the painting was considered the work of Andrea Mantegna and in 1894 Berenson attributed it provisionally to Giovanni Bellini. The attribution to the young Vivarini was suggested independently and it is undeniable that the painting was strongly influenced by Giovanni Bellini, whose works were still marked at the time by the style of Andrea Mantegna, his brother-in-law. However, the more angular shapes, the tendency of the volumes to twist like green wood in the fire, the poses and also the expressions of the faces of the figures are comparable to the first paintings of Alvise such as for example the polyptych of the National Gallery of the Marche, made in 1476 .

Other artworks in Pesaro

photo Centro Arti Visive Pescheria

Broom

Davide Mancini Zanchi

placePesaro, Marche, IT

photo Casa Rossini

Portrait of Rossini

Albert Ernest Carrier de Belleuse

placePesaro, Marche, IT

photo Centro Arti Visive Pescheria

Grater

Davide Mancini Zanchi

placePesaro, Marche, IT

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