At dawn on December 9, 2021 (7:26 am), La Visione opens to the public, the second act of Three Scenarios on the Perception of Time, an environmental and immersive exhibition project within the Numero Cromatico project space in the San Lorenzo in Rome. A space that is radically transformed from time to time, in order to create an experience capable of triggering unpublished questions of both a perceptive and introspective nature in the user.

As in the first act, La Memoria, the visitor crosses a multi-sensorial space carefully studied and constructed by the collective to activate an intense relationship both with the totality of the exhibition apparatus and with the individual elements that compose it. The exhibition is presented with a double perspective. An initial vision, characterized by a mute architecture, dominated by a large mural and sparse brick walls. An ambiguous environment, which invites to patrol. In this perspective there are some elements of the first act: the green tarpaulins lowered, as if to reveal the new scenario, and residues of straw on the floor, which tell of a recent past.

Only later, by crossing the initial threshold, can the visitor change perspective and find himself in a totally different environment, in which multiple narrative stimuli open up. The scenario is an entity that speaks to the observer through large tapestries on which declarations of love addressed to the visitor.

In this discovery, the user is accompanied by more or less explicit references that speak of limits and change, of love and of the present, understood as events and elements that make the enchantment of vision possible. A total immersion that tries to redefine the concept of beauty, in a perspective of coexistence between natural and artificial elements.