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The BPER Banca Gallery verified

Modena, Emilia-Romagna, Italy closed Visit museumarrow_right_alt

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Francesco Bianchi Ferrari - Saint Jerome in the desert
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Giovanni Francesco Barbieri, detto Guercino - Apollo and Marsyas
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Cristoforo Canozi de Lendinara - Adoration of the Child with San Bernardino - the Eternal Father blessing
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Ludovico Lana - San Sebastiano curated by Irene
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Giovanni Battista Benvenuti, detto l'Ortolano - The Madonna and Child, San Giovannino and Santa Scolastica
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Bartolomeo Passarotti - Peasant playing the lute
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Girolamo Sellari, detto Girolamo da Carpi - The Crucifixion
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Luca Ferrari - Sant'Andrea
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Girolamo Sellari, detto Girolamo da Carpi - Santa Cecilia
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Giovanni Andrea Sirani - Neptune receives tulip bulbs from Earth
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Alessandro Tiarini - Rinaldo and Armida
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Gaspare Venturini - Allegory of the Good Government
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Jacopo Zanguidi, detto il Bertoja - St. Peter and St. Paul. Stories from their life
Francesco Bianchi Ferrari - Saint Jerome in the desert
Giovanni Francesco Barbieri, detto Guercino - Apollo and Marsyas
Cristoforo Canozi de Lendinara - Adoration of the Child with San Bernardino - the Eternal Father blessing
Ludovico Lana - San Sebastiano curated by Irene
Giovanni Battista Benvenuti, detto l'Ortolano - The Madonna and Child, San Giovannino and Santa Scolastica
Bartolomeo Passarotti - Peasant playing the lute
Girolamo Sellari, detto Girolamo da Carpi - The Crucifixion
Luca Ferrari - Sant'Andrea
Girolamo Sellari, detto Girolamo da Carpi - Santa Cecilia
Giovanni Andrea Sirani - Neptune receives tulip bulbs from Earth
Alessandro Tiarini - Rinaldo and Armida
Gaspare Venturini - Allegory of the Good Government
Jacopo Zanguidi, detto il Bertoja - St. Peter and St. Paul. Stories from their life

Other works on display

Description

Together with the four rectangular canvases of the Estense Gallery and the ovate of the collection of the Cassa di Risparmio di Mirandola, it was part of the rich decorative apparatus that adorned the ceiling of the Camerino dei libri di Cesare located on the ground floor of Palazzo dei Diamanti in Ferrara, for the which Venturini received the payment in 1593. The last undertaking sponsored by the Este family before the transfer to Modena, it constituted a moment of rapid cultural growth in the Ferrara art scene which involved emerging personalities such as Scarsellino and the young Carraccis. The casual elegance of the pictorial figure and the verve of neo-mannerist spirit manage to get the better of the abstruse complication of allegory, to be deciphered as an allusion to the virtues of the prince and the advantageous effects of good governance.

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